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mais aussi comme une manipulation de la perception finale d'un ensemble
celle de la gare
et présente une nouvelle perspective en même temps qu'un livret séparé contenant des œuvres inédites de LA Office
foregrounding their shared commitment to using abstract form to ask important questions about fluid sexuality
I Will Keep You In Good Company Toscane mais aussi comme une manipulationI Will Keep You in Good Company brings together pages and fragments from over twenty of Ghanaian Russian artist Liz Johnson Arturs personal workbooks handmade volumes she has kept since the early 1990s. Part diary, part experimental playground, these books are where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself. Each page is a tactile surface,
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